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An illustrated Tortoise with thought bubbles depicting a DNA strand, globe, artists palette, and a person in thought.

Spring 2025

Issue 11 Inventive Interventions

Editor’s Note

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An illustrated Tortoise inspecting artwork with a magnifying glass.
  • Reinterpreting Art through Close Analysis
    by Grace Kim ’25
  • Convention and Authenticity: The Language of Tragedy in Romeo and Juliet
    by Nikki Han
  • Carving Stasis—Losses of Control as Portrayed in The Gosford Wellhead
    by Olivia Roslansky
  • What Does the Wicked Child Say? Slavery, Warriors, and Pedagogy in the Rylands Haggadah
    by Tali Goldman

An illustrated Tortoise looking at a stack of books on a desk.
  • Rethinking Case Studies through Theory
    by Grace Kim ’25
  • Gramscian Hegemony and the Transition to Violence in the Nicaraguan Revolution
    by Aeden Fraley
  • Tradwives Can Have It All Too: A Re-Examination of the Movement
    by Katriona Page

An illustrated Tortoise looking at a whiteboard with writing on it.
  • Finding Your Space in the Scholarly Conversation
    by Natalia Espinosa Dice
  • Pathologizing Parturient Pain: Race, Civilization, and the Rise of Obstetric Anesthesia
    by Sonia Cherian
  • Scales of the Dragon: How Gender and Income Affect Perceptions of China in East/Southeast Asian Countries
    by Minh Duong

Illustrated Tortoises looking at the stars with a telescope, the stars contain key terms inspired by creativity.
  • Reimagining Academic Creativity
    by Natalia Espinosa Dice
  • From trash to treasure: Physical anti-predator defense mechanisms supersede masquerade and background matching in a trash-carrying insect larva
    by Jessica Wang
  • “Ahh, it’s time to get creative?!” — Four Manageable Approaches to Creative Prompts
    by Lucia Brown

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