In a Tortoiseshell: In this essay on Moretto da Brescia’s painting ‘Entombment,’ the author transitions seamlessly between descriptive orienting and insightful analysis. Using evidence in the form of the painting’s scenery, figures, and lighting, she argues for the nuanced depiction of instantaneous and eternal anguish in the representation of Christ and the Virgin Mary.
In a Tortoiseshell: Demi’s essay on John Singer Sargent’s painting Mr. & Mrs. I.N. Phelps Stokes places the portrait in the context of its time to argue that the Stokes’ marriage defied Victorian social rules while embracing American values of independence and individuality. The excerpt below is from the essay’s body, which demonstrates excellent close reading of the painting and apt comparison to Sargent’s other paintings during the Victorian era.
In a Tortoiseshell: This essay argues that Florine Stettheimer’s 1933 painting Family Portrait II is a critique of the elitist society of 1920s New York and thus an extension of her Cathedrals series. In this excerpt, Cara beautifully introduces both her internal motive, which is the stark contrast she noticed between Family Portrait I and this painting, and her scholarly motive, which is the oversight in the art community of this painting’s social significance.