Tortoise Tuesday: Orientation and Key Terms in Bombshell
I recently saw the movie Bombshell, a dramatization of the events surrounding the charges of sexual harassment raised by several woman against former Fox News CEO Roger Ailes. As I watched Bombshell, I was struck by how the filmmakers used techniques like orienting and key term definition to structure the film.
The opening sequence of Bombshell, narrated by then-anchor Megyn Kelly (played by Charlize Theron), orients viewers to the world of Fox News as represented in the film. Kelly guides viewers around the building, pointing out the different studios and teams at work. Kelly uses a visual aid, a model of the skyscraper in which the studios are located; certain floors on the model light up as she explains what is located on each floor. This sequence orients the audience to the structure of Fox News, just as a good writer orients readers by forecasting the paper’s structure and laying the groundwork for the “world” (of arguments, scholars, texts, etc.) to be explored in the paper.
In addition to orienting us to Fox News through Kelly’s tour and commentary, this opening sequence defines several key terms that appear later in the movie. For example, Kelly tells viewers that “the second floor” means Ailes, as the CEO’s office is located there. This key term definition primes the audience for later scenes when employees are told “the second floor is calling” or “the second floor wants to see you.”
Importantly, orientation and key term definition in Bombshell are not limited to the first scene. Over the course of the movie, as new characters are introduced, their names and roles (such as “Fox news anchor” or “wife of Roger Ailes”) appear on the screen beneath them. This strategy of visibly identifying characters as they appear mirrors another strategy of good writing: knowing how to orient throughout a paper. Not every key term, source, or scholar needs to be defined and introduced during the first paragraph of an essay. Good writers are able to discern which concepts need to be introduced first, in the opening paragraph, and which can be introduced as the paper goes on, in the context of the larger argument.
Bombshell orients viewers and defines key terms strategically at the opening of the film and as the movie progresses. As you consider how best to orient readers to your writing, consider the following tactics:
- Forecast the structure of the paper
- Introduce the most important aspects of the “world” at the start of the paper
- Use a visual aid if helpful
- Define key terms clearly
- Decide which orienting and defining must occur in the first paragraphs and which can occur later in the context of the paper
–Paige Allen ’21