Category Archives: Spring 2019

Source Use, Spring 2019

Eating Peru: A Critical Analysis of the Gastronomic Revolution through Food

In a Tortoiseshell: In her junior paper on Peru’s “gastronomical revolution,” Alice Wistar uses an unconventional primary sourcefood – to discuss the cultural performance of the Peruvian identity. Along the way, she uses the physical layout of these images on the page to illustrate and contribute to her argument. Besides the paper’s use of unusual, interdisciplinary set of sources, it is also notable for its orienting of evidence and methods of analysis.  

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Close Reading, Spring 2019

Japanese Media Mix

In a Tortoiseshell: In this excerpt from his Junior Paper on the Japanese film Perfect Blue, Jacob Williams analyzes the motif of glass surfaces and their relation to Mima’s flattening: the process by which the original character’s “existence in its show is crushed into a singular image, one whose use of limited animation emphasizes the fact that it does not pretend to be alive in the same way that a fully animated character does.” Jacob performs insightful close analysis and more importantly, demonstrates how this kind of analysis can be used to support the paper’s broader argument.

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Motive, Spring 2019

The Literariness of Political Texts

In a Tortoiseshell: In this paper about the Palestinian Declaration of Independence of 1988, Sophie Evans’ original use of key terms — “the literariness of political texts” — allows her to flip the current scholarly discourse — what Edward Said calls “the worldliness of literary texts” — on its head. In the first few paragraphs of her introduction, Sophie constructs motive by orienting readers as to how the literariness of the Declaration, written by a prominent Palestinian poet, has been overlooked. She then argues for why and how her close reading of the literariness of political texts can be brought to bear on Palestinian history and even its political situation today.

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Conclusion, Spring 2019

Borinqueña Blanca [White Native]: A Racialized Revisiting of Puerto Rican Independence through the Life of Lola Rodríguez de Tió, 1850-1900

In a Tortoiseshell: In his Junior Paper, Lucas René Ramos takes an up-close approach to history by examining the life and work of Lola Rodríguez de Tió, a Puerto Rican poet and political activist, as a case study for larger issues. In the concluding section excerpted below, Lucas paints a picture of Rodríguez de Tió’s later political life before tying his paper together by reminding the reader of his motives and what his intersectional study of Rodríguez de Tió adds to the scholarly conversation. These final takeaways make for a compelling conclusion.

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Motive, Spring 2019

Trust but Verify: Analysis of Flawed Trust Beliefs for Tor and a Passive Routing Attack

In a Tortoiseshell: In a paper that exposes a potential weakness of Tor, a supposedly secure and private internet browsing protocol, Nicholas Schmeller positions nontechnical readers to appreciate the significance of his work by effectively presenting motive. By presenting the necessary technical jargon in an easily digestible manner in combination with the inclusion of practical illustrations, Nicholas ensures that all readers can grasp the complication resulting from the fact that, although an agent’s information is secure while in transit under the Tor protocol, said information is vulnerable at the very beginning and end of its virtual journey.

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Orienting, Orienting, Spring 2019

The Roar of a Chinthe

In a Tortoiseshell: In this comic, “The Roar of a Chinthe,” Adelle Dimitui orients the reader to Burmese culture and mythology. Her story distills the myth of the chinthe, a lion-like creature that stands guard in pairs at the entrances of many Burmese temples. Together, her visuals and text showcase traditional Burmese architecture, dress, and symbolism.

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Key Terms, Spring 2019

Form, Function, Fiction: A Rereading of Franz Kafka’s “Vor dem Gesetz”

In a Tortoiseshell: In his junior paper, Owen Ayers examines the genre of Franz Kafka’s short story “Vor dem Gesetz” (“Before the Law”).  Is it a parable, a riddle, or a joke? These genres, as defined by scholars, become Owen’s key terms as well as the basis of his structure. He explains how the story fits somewhat into all three of these genres, thus complicating their scholarly definitions. Continue reading

Source Use, Spring 2019

Breathing Life into Intangible Cultural Heritage: Wŏnhyŏng in Korea’s Poyuja Lineage System and its Implications for UNESCO

In a Tortoiseshell: Pulling from a diverse set of sources in terms of region, discipline, and medium, Haeley’s essay exemplifies not only how to pull from a wide array of sources but how to do so in a motivated, thoughtful way that skillfully identifies and develops meaningful connections between unconventionally connected source material. Throughout her piece, Haeley carefully incorporates a philosophical lens to reinterpret her visual source material and is able to transition between and bring together both Korean and American scholarship. In this excerpt, Haeley navigates central challenges that often arise for students in source use.

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