In a Tortoiseshell: In her paper examining changing perceptions of the Berlin Wall in the aftermath of the Cold War, Annabelle Mauri mines an extensive field of primary and secondary sources, including archives, statistics, and existing scholarly discussions. Annabelle skillfully weaves these sources together to build her own argument, which highlights the strategic political erasure of East German perspectives on the Wall in the process of reunification, and how that erasure contributed to the West German-led redefinition of the Berlin Wall as a symbol of unity and peace. In doing so, she boldly establishes her unique voice in a conversation about an oft-studied historical monument.
In a Tortoiseshell: In her junior paper on Peru’s “gastronomical revolution,” Alice Wistar uses an unconventional primary source – food – to discuss the cultural performance of the Peruvian identity. Along the way, she uses the physical layout of these images on the page to illustrate and contribute to her argument. Besides the paper’s use of unusual, interdisciplinary set of sources, it is also notable for its orienting of evidence and methods of analysis.
In a Tortoiseshell: Pulling from a diverse set of sources in terms of region, discipline, and medium, Haeley’s essay exemplifies not only how to pull from a wide array of sources but how to do so in a motivated, thoughtful way that skillfully identifies and develops meaningful connections between unconventionally connected source material. Throughout her piece, Haeley carefully incorporates a philosophical lens to reinterpret her visual source material and is able to transition between and bring together both Korean and American scholarship. In this excerpt, Haeley navigates central challenges that often arise for students in source use.