In a Tortoiseshell: In this excerpt, Will conducts a careful close reading to analyze the chronological ending of David Mitchell’s novel Cloud Atlas. He begins by selectively choosing pieces of evidence from the novel, creating a strong foundation for his analysis. Importantly, this analysis goes beyond merely interpreting individual pieces of evidence; it is grounded in a surprising and compelling argument about his source. Continue reading
All the papers in this section are unified by their use of close reading, a particularly versatile form of analysis that can offer strong evidence for an author’s argument. Lara Katz’s paper compares the treatment of loneliness and powerlessness in two poems, one by Chinese poet Su Shi and the other by Japanese poet Ono no Komachi. Editor Jasmine Rivers explains how Katz breaks down larger pieces of evidence into close readings on a more manageable scale. William Koloc’s paper on Cloud Atlas is also grounded in close readings of a literary text, in this case a novel rather than poetry. In her commentary, editor Natalia Zorilla focuses on how Koloc combines a series of small-scale close readings to build a cohesive argument. Megan Pan’s paper stands out because it involves close readings of an anime show rather than a written text. Editor Diane Yang discusses how Pan’s close readings overlap with her use of analytic lenses and her development of global motive.
— Frances Mangina, ’22
In a Tortoiseshell: In this East Asian Humanities paper, Lara Katz juxtaposes two poets’ unique styles of engaging with the themes of loneliness and powerlessness. Through strong evidence choice and masterful close reading skills, Lara analyzes the works’ poetic forms (length, literary devices, voice, etc.) to demonstrate how this juxtaposition reveals more about the texts than if they were considered in isolation. The following excerpt deconstructs the poets’ respective approaches to poetic focus and reader engagement through imagery. Continue reading
In a Tortoiseshell: In her exploration of two animated shows, Megan analyzes the erotic undertones present during the mental violation of a young female character. As she engages with this piece of evidence, Megan not only draws a compelling parallel but goes a step further to include detailed notes of visual design and its deeper ties to animated pornography, which ultimately ties to her paper’s global motive. Continue reading