In a Tortoiseshell: In her East Asian Studies essay on the Taiwanese film Terrorizer, Amy Cass uses close looking techniques to analyze how the film presents photography as a way of seeing and understanding urban reality. Amy uses her engagement with the visuals of the film through careful close looking to provide the evidence for her arguments, which stretch beyond description of the film and into bold, motivated claims.
In a Tortoiseshell: In this excerpt from his Junior Paper on the Japanese film Perfect Blue, Jacob Williams analyzes the motif of glass surfaces and their relation to Mima’s flattening: the process by which the original character’s “existence in its show is crushed into a singular image, one whose use of limited animation emphasizes the fact that it does not pretend to be alive in the same way that a fully animated character does.” Jacob performs insightful close analysis and more importantly, demonstrates how this kind of analysis can be used to support the paper’s broader argument.
