In a Tortoiseshell: In this close-reading paper written for the Humanities Sequence, Sandra Chen begins with a detailed analysis of a poem’s text to make larger arguments about its meaning.
In a Tortoiseshell: In her East Asian Studies essay on the Taiwanese film Terrorizer, Amy Cass uses close looking techniques to analyze how the film presents photography as a way of seeing and understanding urban reality. Amy uses her engagement with the visuals of the film through careful close looking to provide the evidence for her arguments, which stretch beyond description of the film and into bold, motivated claims.
In a Tortoiseshell: In her paper, Katherine McIntire analyzes the Disney World theme park “Frontierland,” arguing that by relying on the historically inaccurate concept of the lone cowboy it promotes problematic values that are antithetical to Walt Disney’s philosophy. Her incredibly clear introduction orients the reader to the analytic work she plans to do and to the many sources she plans to consult while constructing her argument. By giving herself space to tease out the specifics of her primary source and the various key terms relevant to her argument, Katherine effectively lays the groundwork for her motive and thesis. Continue reading
One of the most difficult sections of any paper is its beginning. The expectation of an opening that captures and holds readers’ attention while still communicating necessary set-up for an argument is certainly daunting. Nearly all the concepts from the Lexicon must find their way into the start of a paper in the exact right quantities; lots of motive in an introduction is usually desired, whereas very little analysis is wanted or needed so early on. Couple this with the fact that there are infinite possible ways to start a paper, and it may feel downright impossible to accomplish successfully at times.
Rather than focusing solely on thesis or motive, this section highlights papers that successfully incorporate these terms while also orienting the reader, introducing necessary sources, and defining key terms. Pay close attention to the relationships between ideas in sentences and clauses themselves, since it is at this level where the beginning of a paper can truly finds its greatness.
In a Tortoiseshell: In her final paper for a class called “’Too Cute!’: Race, Style, and Asiamania,” Megan Pan analyzes a dating simulator video game, Doki Doki Literature Club! The game, accessible by smartphone app, takes a strange and unexpected turn as it is played. The essay uses this twist as its motivation to examine its theoretical and cultural implications. Its claim, that “by very nature of its cute demeanor,” the game “manages to subvert the expectations of its supposed genre and ultimately reveal its true colors as a brilliantly executed metafictional psychological horror” in a strong example of the lexicon term thesis. Continue reading
Tortoise: A Journal of Writing Pedagogy is an annual journal that publishes excerpts of student scholarship from within the Princeton community. Showcasing writers from all disciplines and levels—both Princeton undergraduate and graduate students—we emphasize the writing process as much as its “finished” product.
Tortoise publishes excerpts of exemplary academic writing with reflective commentaries on the research and writing methods underpinning the prose. Our ambition at Tortoise is not only to share student writing with a wider audience but also to demonstrate how it works and how it was developed.
Our Spring 2020 issue, entitled “Top-notch Tactics,” is a compilation of excerpts (as well as one full-length feature piece) each of which poses a different answer to the question,
What does it look like when you get down to the nitty gritty of writing a paper?
Whether this answer takes the form of a discussion of the role of “close looking” in a paper on film — comments on developing a thesis in a Woody Woo policy recommendation — thoughts on the role of exposition in mathematics — or anything in between, our authors and editors delve into the many small tactics that take us from an idea to an outline to a finished piece.
I would like to add a special note of thanks to our authors, editors, the staff of the Writing Center, and everyone else who helped to make this issue possible. We all know that this semester has been anything but what we expected, and that any number of things fell by the wayside in the general hubbub. I think I speak for the entire Tortoise staff when I tell you how happy we are that we are able to present this issue to you today nevertheless. Again, I would like to send out a very heartfelt thank you to everyone who contributed to this issue and helped bring it to where it is today. We hope you enjoy the issue!
In a Tortoiseshell: In this excerpt of her essay on genetic enhancement and therapy, Asher Joy exemplifies how to create a motivated thesis by engaging in a complex, scientific debate. Drawing on interdisciplinary sources, Asher adds her own contribution to the debate at hand by pointing out a particular issue with the discourse surrounding genetic modifications and discusses the implications of such an error. Continue reading
In a Tortoiseshell: In her essay on William Wordsworth’s famous poem “Lines Written a few miles above Tintern Abbey,” Julia Walton enters the scholarly conversation with an against-the-grain reading of the function of William’s sister, Dorothy, in the poem. After establishing a clear motive for her reconsideration of this text, Julia combines meticulous close reading with evidence drawn from period sources to support her original thesis. Julia’s essay has been selected as our feature piece; it is published in its entirety to show how Julia’s many pedagogically successful moves work together to create a full, well-written essay. Continue reading
In a Tortoiseshell: In her politics paper, Maggie Baughman recommends a specific set of policies for the US State Department to follow in order to combat the spread of misinformation by the Chinese government within Taiwanese election cycles. Her thesis is built upon a unique and compelling methodology combining epidemiological theory with politics. By manipulating multiple forms of evidence as well as the framework of her argument, Maggie also renders her thesis both pragmatically and pedagogically manageable.
In a Tortoiseshell: In this excerpt of her essay, Yuxi Zheng solidifies her thesis by analyzing scenes from Dolce & Gabbana commercials. Yuxi takes special care to break down the minute details of each scene to explain the messages conveyed through the dialog, acting, and directorial edits. By engaging in this close looking, Yuxi makes an astute argument that explains why D&G was not able to create an advertisement that successfully catered to the intended Chinese audience. Continue reading