The Love of the Skylark
In a Tortoiseshell: In this close-reading paper written for the Humanities Sequence, Sandra Chen begins with a detailed analysis of a poem’s text to make larger arguments about its meaning.
In a Tortoiseshell: In this close-reading paper written for the Humanities Sequence, Sandra Chen begins with a detailed analysis of a poem’s text to make larger arguments about its meaning.
In a Tortoiseshell: In her East Asian Studies essay on the Taiwanese film Terrorizer, Amy Cass uses close looking techniques to analyze how the film presents photography as a way of seeing and understanding urban reality. Amy uses her engagement with the visuals of the film through careful close looking to provide the evidence for her arguments, which stretch beyond description of the film and into bold, motivated claims.
In a Tortoiseshell: In her paper, Katherine McIntire analyzes the Disney World theme park “Frontierland,” arguing that by relying on the historically inaccurate concept of the lone cowboy it promotes problematic values that are antithetical to Walt Disney’s philosophy. Her incredibly clear introduction orients the reader to the analytic work she plans to do and to the many sources she plans to consult while constructing her argument. By giving herself space to tease out the specifics of her primary source and the various key terms relevant to her argument, Katherine effectively lays the groundwork for her motive and thesis. Continue reading
In a Tortoiseshell: In this excerpt of her essay on genetic enhancement and therapy, Asher Joy exemplifies how to create a motivated thesis by engaging in a complex, scientific debate. Drawing on interdisciplinary sources, Asher adds her own contribution to the debate at hand by pointing out a particular issue with the discourse surrounding genetic modifications and discusses the implications of such an error. Continue reading
In a Tortoiseshell: In her essay on William Wordsworth’s famous poem “Lines Written a few miles above Tintern Abbey,” Julia Walton enters the scholarly conversation with an against-the-grain reading of the function of William’s sister, Dorothy, in the poem. After establishing a clear motive for her reconsideration of this text, Julia combines meticulous close reading with evidence drawn from period sources to support her original thesis. Julia’s essay has been selected as our feature piece; it is published in its entirety to show how Julia’s many pedagogically successful moves work together to create a full, well-written essay. Continue reading
In a Tortoiseshell: In this excerpt of her essay, Yuxi Zheng solidifies her thesis by analyzing scenes from Dolce & Gabbana commercials. Yuxi takes special care to break down the minute details of each scene to explain the messages conveyed through the dialog, acting, and directorial edits. By engaging in this close looking, Yuxi makes an astute argument that explains why D&G was not able to create an advertisement that successfully catered to the intended Chinese audience. Continue reading
In a Tortoiseshell: In her Junior Paper for the English Department, Liana Cohen interweaves analysis and evidence in her writing through the utilization of eloquent close reading of the films Vertigo and Spirited Away. Indeed, placing her exercises of close-reading alongside richly contextualized analysis of film theorists and Freudian psychoanalysis, Liana crafts a compelling prose that explores how both films attempt to reanimate the past.
In a Tortoiseshell: In her paper, Debby Cheng utilizes her thesis to roadmap her text to explore the nuances surrounding the distribution of blame within the black community during the AIDS epidemic prior to the introduction of an effective treatment. Using enriching and creative sources to provide evidence to her claims, Debby efficiently asks the reader to question, just as she does, the role of the heterosexual black man as the “invisible” force that perpetuated the spread of HIV in the United States during the last two decades of the 20th century.
The eternal refrain goes like this: “What’s the thesis?” It’s as ubiquitous as “Where’s the beef?” But a thesis is not a call to action for a mundane fast-food restaurant. It’s much more important than that. It’s the argument. Or more eloquently, the Writing Lexicon defines the thesis as “an arguable claim—i.e., an assertion someone could reasonably argue against; as such, it provides unexpected insight, goes beyond superficial interpretations, or challenges, corrects, or extends other arguments.”
There’s a reason why a great deal of high school English teachers place an emphasis on the thesis. It functions as the raison d’etre. It lays out the terms of the argument—what the essay is analyzing, with what it is analyzing, and what it all means. Strong theses go above and beyond this, however, by explaining why all of that stuff is important.
The essay excerpts in this section were chosen for their strong theses, though they accomplish these arguments in different ways.
The thesis is tough. There are different kinds—some are tricky, and some are examples of how to make a simple framework sing. And don’t write more than one thesis in an eight-page paper. Read on, true believer—“What’s the thesis?”
For more details, refer to the Thesis Preface from our 2014 issue, available here.
In a Tortoiseshell: In her politics paper, Maggie Baughman recommends a specific set of policies for the US State Department to follow in order to combat the spread of misinformation by the Chinese government within Taiwanese election cycles. Her thesis is built upon a unique and compelling methodology combining epidemiological theory with politics. By manipulating multiple forms of evidence as well as the framework of her argument, Maggie also renders her thesis both pragmatically and pedagogically manageable.